"Improvisation as Musical Health," in Learn to Play: Play to Learn: The Art of Practicing the Organ, Michael Bauer, gen. ed. Oxford University Press, forthcoming.
“Cross-disciplinary Counterpoints,” in Trent’anni di storia in musica: a cura di Accademia Internazionale di Smarano APS (Smarano, Italy [Predaia, TN]: Accademia Internazionale di Smarano APS, 2022), 64–88 (article with examples, translated into Italian); 89–106 (article in English, examples not included; reference examples in 64–88). https://www.smaranoacademy.com/3d-flip-book/festschrift/
"Global Rings and Collaborative Investigative Composing, in The Bulletin, ed. Kimberly Schafer. The Guild of Carillonneurs in North America, 2022.
"Belonging: A Carillon Call to Care for All," in The Bulletin, ed. Kimberly Schafer. The Guild of Carillonneurs in North America, 2021.
"2020 AGO Organ Commissions," reviewed by P. Ruiter-Feenstra. The American Organist. October 2020.
"Women in Improvisation." The American Organist. September, October, November, December 2020; January, February, March, April, May 2021. Featuring gender distribution statistics, interviews with women improvisers, multidisciplinary comparative stories, and strategies to remedy gender imbalances.
"Bach and the Art of Improvisation: A conversation with Pamela Ruiter-Feenstra," by David Wagner. The Diapason, June 2015.
“Bach and the Art of Improvisation.” Orgelpark (Amsterdam) Proceedings 2011.
“Bach and the Art of Improvisation.” The American Organist, September 2011.
“Improvisation Encounters.” The American Organist, May 2011.
“Improvisation Initiatives.” The American Organist, January 2011.
“J. S. Bach and Improvisation Pedagogy: Extemporaneous Composition,” in Keyboard Perspectives, Vol. 1, 2009/2010, ed. Annette Richards. Yearbook of the Westfield Center for Historical Keyboard Studies.
“Ten Tips for Successful Improvisation.” The American Organist, April 2003.
“Roman and Zellbell: Secular and Sacred Case Studies for Improvisation on the Swedish Clavichord.” De Clavicordio V, Bernard Brauchli and Christopher Hogwood, eds. Magnano, Italy, 2002.
"Clavichord Improvisation in Göteborg." Clavichord International, Vol. 5, No. 2, Koen Vermeij, ed. Bennebroek, The Netherlands, November 2001, 44-48.
“Bach Trio Sonatas,” in Bach 2000, compiled by James Kibbie. The University of Michigan, 2000.
“The Grimm Tablature: A Case Study in Seventeenth-Century North German and Italian Confluences.” in GOArt Research Reports, Vol. 2. GOArt, Göteborg universitet, 2000.
“Göteborg Organ Art Center,” The American Organist, Vol. 30, No. 7. July 1996, 56–58.
Editing and Translations
An English editor for Organ Yearbook, ed. Paul Peeters. Laaber Verlag, 2017, 2018, 2019.
Editor of Westfield: Journal of the Westfield Center, Vol. XIV, No. 3-4. December 2001.
Translation from Swedish to English of Tracing the Organ Masters' Secrets: The Vision, The Process, The Goal: The Reconstruction of the North German Baroque Organ in Örgryte Nya Kyrka, Göteborg, eds. Anders Carlsson, Hans Davidsson, Pamela Ruiter-Feenstra, Su Dunthorne and Joel Speerstra. GOArt, Göteborg universitetet, 2000.
Translation of book from Swedish to English, Hans Davidsson, The North German Organ in Örgryte Nya Kyrka, Göteborg. GOArt, Göteborg universitetet, 2000.
Associate editor for GOArt Research Reports. Vol. 1, Sverker Jullander, ed. GOArt, Göteborg universitetet, 1999.
Translation from German to English, Harald Vogel’s publication on historical fingering and performance practices, “Spielweise,” in Samuel Scheidt, Tabulatura Nova, Vol. 2. Breitkopf & Härtel, 1999.